Nat Tozer explores narratives of the underground to unearth objects and knowledge. Working across moving image, materiality and social sculpture, she is interested in folk tales, the revision of mythologies into a local ecologies, tunnelling, anarchist anthropology and network theories. She is the founder and curator of mothermother, a offering to our local arts ecology that strives to promote and prioritise gift, reciprocity and intergenerational knowledge building.

Tozer holds an MFA with first-class honours (2022) and a PGDipFA with Distinction (2020) from the University of Auckland Waipapa Taumata Rau. During her time at Elam she received The Lightship Award which funded the presentation of an open-air 110m video work at The Ports of Auckland, a summer scholarship, an academic scholarship, was selected for the Emerging Artists Show at Sanderson Gallery. Recent exhibitions and screenings include Navigating Slowly, Gus Fisher Gallery (2026); Dialogues in Video Art, Works from the Chartwell Collection and Elam Artists, George Fraser Gallery (2025); A Sapling to Tie, Masons Screen Commission (2025); Erotic Geologies, Gow Langsford Onehunga (2024); The Metamodern in Literature, Art, Education, and Indigenous Cosmologies: An Interdisciplinary Symposium at AUT (2023); Deucalion & Pyrrha for Sluice Screens at IMT Gallery, London (2023) and Sluice Biennial supported by PADA Residency and Lisbon Art Weekend (2022).