Tio

Kaan’s work has previously been described as “contemporary and timeless,” a notion that seems to fit well with many of the indigenous relationships referenced in his artmaking.

Like Chinese ink and wash works, Kaan’s paintings and prints are not just straightforward reproductions; his work is more of an attempt to capture the intangible or the spirit of a subject. Using a restrained colour palette, often monochromatic or sometimes monochromatic with a single burst of colour, Kaan’s landscapes are uncluttered, contemplative and leave space, as writer Claire Finlayson proposed, for a viewer to ‘breathe’.